Harrowhark the Ninth (
we_bring_hell) wrote2020-09-01 05:18 pm
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Between Chapter 27 and Chapter 28
Observe Harrowhark Nonagesimus, flopped full-length on a sofa in Milliways, moaning into a cushion. She looks like a heap of coal-filthy laundry, like a bad black snake trying to wriggle into a crack in the fabric of reality and never return.
(When I release you from my service, Nav, you will know about it.)
She fucked up.
(It's just me. Go back to sleep.)
She fucked up so bad.
(Never work with children, Griddle. Their prefrontal cortexes aren't developed.)
She wants to die. For one golden moment she had done something right. Something worthy of what she's been given.
(Death first to vultures and scavengers.
It was good. You were good.)
She is a dullard. An imbecile. A fool. She had screamed herself hoarse upbraiding herself, then left Griddle with that viper Septimus to go do--what? Nothing useful. Nothing to bring back the flower of the Fourth. All she'd done is give Dulcinea Septimus more time to thieve the loyalty of her cavalier.
She wants to die, but she isn't allowed to die, not until she has redeemed the deaths of two hundred (and two!) children. Not until she's sold her poor mortgaged soul to the Emperor and the Corse of the Locked Tomb and renewed the Ninth. All of their hopes ride on her, and she is sinking under them, and the golden eyes of Gideon Nav are all their eyes; the eyes that can't believe that God and chance have entrusted their fate and their fidelity to this failure.
(Harrow, I hate you. I never stopped hating you. I will always hate you and you will always hate me.)
(When I release you from my service, Nav, you will know about it.)
She fucked up.
(It's just me. Go back to sleep.)
She fucked up so bad.
(Never work with children, Griddle. Their prefrontal cortexes aren't developed.)
She wants to die. For one golden moment she had done something right. Something worthy of what she's been given.
(Death first to vultures and scavengers.
It was good. You were good.)
She is a dullard. An imbecile. A fool. She had screamed herself hoarse upbraiding herself, then left Griddle with that viper Septimus to go do--what? Nothing useful. Nothing to bring back the flower of the Fourth. All she'd done is give Dulcinea Septimus more time to thieve the loyalty of her cavalier.
She wants to die, but she isn't allowed to die, not until she has redeemed the deaths of two hundred (and two!) children. Not until she's sold her poor mortgaged soul to the Emperor and the Corse of the Locked Tomb and renewed the Ninth. All of their hopes ride on her, and she is sinking under them, and the golden eyes of Gideon Nav are all their eyes; the eyes that can't believe that God and chance have entrusted their fate and their fidelity to this failure.
(Harrow, I hate you. I never stopped hating you. I will always hate you and you will always hate me.)
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Ow.
"Like a fool."
"It only now occurred to me to wonder."
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Although he has no intention of showing her to Wei Ying's room.
"Bar-gūniang holds keys, as an innkeeper."
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"I have not distinguished myself today," she says wearily. "I am not familiar with inns, I suppose."
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"There are rooms," he tells her. As he talks, he softens the volume of the music and ceases pouring spiritual energy into it as intensely as before.
"Upstairs. Ask Bar-gūniang for a key. It is marked with symbols that match the door."
Not familiar with inns, she had said, and it suddenly strikes him she may not have traveled much, if that is the case.
"Do you wish assistance?"
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"I think I should remove myself from Canaan House until I regain my equilibrium. Time will wait there for me to return. I am--compromised. Clearly."
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He does not ask. She had not wished to speak of it before, and he will not pry. If she does now, she will do so.
"I am here in the evenings," he says, with a nod to the guqin. "If you need."
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"If you wished to call me Harrowhark," she says tentatively. "Or perhaps just Harrow." The hark particle only reminds her of her father, who she hoped to lay to rest once and for all when she left the Ninth. "I believe we have passed the point of familiarity by now."
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"I am Lan Zhan, courtesy Wangji. Most people--"
Everyone, in fact, who doesn't call him by one of his titles or who isn't Wei Ying.
"--call me Wangji."
He leaves off his family name, as he's explained it before. If she chooses not to use it, well, they are not disciples near in age of the same sect, but in the odd ways of this place perhaps it would be fitting all the same.
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Hearing it sends a pang through her, but it might be a good kind of pain. Necromancy is an art of infinite pains. "Wangji," she says, imitating his pronunciation as best she can.
"I will look for you," she says, with all the weight of a thank you.
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"I will be here."
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The room is spartan; sufficient to her needs. There is a single painting on the wall, painstakingly straight. It seems to be a mounted jigsaw puzzle of a tower at sunset. There is the faintest smell; some kind of organic ash, mixed with the oil of a mechanism. It's not unpleasant.
Her robe has somehow transitioned to the closet, and there's a skeleton on a stand in the corner; she recognizes the ribs. It grins at her familiarly. In the closet there are rows of long-sleeved shirts much like her usual habit, and some other shirts she frowns at. In a drawer there are trousers and spare niqabs and gloves and socks. Her journal is here on the desk.
This is all burying the lede: perpendicular to the white, crisp bed is a second one. She glares at it. There is also a set of free weights in one corner, which get their share.
On the table by the bed is a device she only vaguely recognizes the function of, but it seems to be active. She presses the universal glyph for play.