Harrowhark the Ninth (
we_bring_hell) wrote2020-09-01 05:18 pm
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Between Chapter 27 and Chapter 28
Observe Harrowhark Nonagesimus, flopped full-length on a sofa in Milliways, moaning into a cushion. She looks like a heap of coal-filthy laundry, like a bad black snake trying to wriggle into a crack in the fabric of reality and never return.
(When I release you from my service, Nav, you will know about it.)
She fucked up.
(It's just me. Go back to sleep.)
She fucked up so bad.
(Never work with children, Griddle. Their prefrontal cortexes aren't developed.)
She wants to die. For one golden moment she had done something right. Something worthy of what she's been given.
(Death first to vultures and scavengers.
It was good. You were good.)
She is a dullard. An imbecile. A fool. She had screamed herself hoarse upbraiding herself, then left Griddle with that viper Septimus to go do--what? Nothing useful. Nothing to bring back the flower of the Fourth. All she'd done is give Dulcinea Septimus more time to thieve the loyalty of her cavalier.
She wants to die, but she isn't allowed to die, not until she has redeemed the deaths of two hundred (and two!) children. Not until she's sold her poor mortgaged soul to the Emperor and the Corse of the Locked Tomb and renewed the Ninth. All of their hopes ride on her, and she is sinking under them, and the golden eyes of Gideon Nav are all their eyes; the eyes that can't believe that God and chance have entrusted their fate and their fidelity to this failure.
(Harrow, I hate you. I never stopped hating you. I will always hate you and you will always hate me.)
(When I release you from my service, Nav, you will know about it.)
She fucked up.
(It's just me. Go back to sleep.)
She fucked up so bad.
(Never work with children, Griddle. Their prefrontal cortexes aren't developed.)
She wants to die. For one golden moment she had done something right. Something worthy of what she's been given.
(Death first to vultures and scavengers.
It was good. You were good.)
She is a dullard. An imbecile. A fool. She had screamed herself hoarse upbraiding herself, then left Griddle with that viper Septimus to go do--what? Nothing useful. Nothing to bring back the flower of the Fourth. All she'd done is give Dulcinea Septimus more time to thieve the loyalty of her cavalier.
She wants to die, but she isn't allowed to die, not until she has redeemed the deaths of two hundred (and two!) children. Not until she's sold her poor mortgaged soul to the Emperor and the Corse of the Locked Tomb and renewed the Ninth. All of their hopes ride on her, and she is sinking under them, and the golden eyes of Gideon Nav are all their eyes; the eyes that can't believe that God and chance have entrusted their fate and their fidelity to this failure.
(Harrow, I hate you. I never stopped hating you. I will always hate you and you will always hate me.)
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Lightly, softly, he begins to play a more relaxed version of the previous song, one that can flow beneath words rather than over them, if she wishes to speak further.
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"How long have you studied your instrument? I'm sorry, I didn't record the name."
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"Since I was very young."
He's not actually certain when he first began, but he knows it was earlier than the usual disciples' training - for him and Xichen both.
"Maybe fifteen years. Or more."
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Lying is forbidden in the Cloud Recesses.
"It can."
The same gentle melody keeps rippling forth as he talks.
"Not this. But there are techniques."
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"I wonder if the Seventh House has pursued such things," she says heavily.
They have! But the danse macabre has never crossed Harrow's radar.
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"Reverend Daughter. You are troubled."
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"Mn."
After a moment, during which the melodic line rises and falls again in the flow from one variation to another, he adds,
"I will play for as long as you like."
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This variation emphasizes centering and calm through creating stillness within. As his fingers move deftly over the strings, a faint blue glow shimmers from time to time at points of particular resonance.
Continuing to pour spiritual energy into the music for an extended length of time would become difficult very quickly for some people. For someone whose cultivation and golden core is as powerful as Lan Wangji's, it would take hours before tiredness would become a factor.
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(Have you realised that this whole thing has been about the union of necromancer and cavalier from start to finish?)
"Hangguang-jun," she says eventually. "Can you see what Wei Wuxian sees when he looks at me?"
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Nothing about his manner changes.
"Yes."
As he considers that, however, he amends,
"But I do not cultivate it the way Wei Ying does. He knows more."
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Uncomfortable silence spins out between them. It's such a long habit of secrecy, so tightly kept , so dangerous to her and to everyone she knows.
"I wish you couldn't," she whispers.
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"I am sorry."
He does not understand, given how open she had been about her necromancy the day they met. Why would it matter, that he can sense the resentful energy she carries within her?
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"Wei Wuxian is dead, isn't he."
Maybe resentful energy has poisoned her temperament. That would be nice to think.
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--Wei Ying on the cliff's edge, falling, falling--
Wei Ying!
--the desperate fight at the Burial Mounds, too late, too late, too late--
The Yiling Patriarch is dead! Isn't it great?
--weeks of fever and months of pain in the cavern, every heartbeat a betrayal and every breath a loss, playing Inquiry until his fingers cracked and bled --
Wei Ying. Come back.
"Yes."
He resumes playing once more, sending the calming, tranquil notes forth, distancing himself from the whip-slice of renewed pain with his own music. He's dimly glad to notice that his voice is steady, somehow.
"Wei Ying is dead."
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It's a distraction from her feelings, which are chaotic and violent. "I thought so. I was told it was possible and--I thought so."
"I don't chose to sense that. You don't choose to see--" that I am a crime "--what you can see." Her voice is almost even.
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The Song of Clarity swirls around them. He needs the complexity of the music now, for both their sakes.
"Why does it matter? What I sense?"
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Harrowhark is a genius. She knows this like she knows the bones of her hand. She knows it is the only thing that makes the crime of her even marginally redeemable.
So why can't she stop being stupid?
"What you see is not because I'm a necromancer," she manages, before the chains of the Locked Tomb wrap around her throat again.
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(Wen Ning's face floats in his mind's eye for an instant before he forcibly puts the image aside.)
"Why, then?"
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"I cannot," she says finally. "I thought you already knew."
"I cannot confess it, even now. I thought perhaps I could." Her voice sounds compressed; almost frantic. "Ask Wei Wuxian. Tell him I give him permission. You do not lie, isn't that true?"
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He pours a little more energy into the music, concerned at her rising tension.
She is like me. Doesn't that bother you?
"I will ask him. You need not say."
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(Good. Now we need not speak again.)
"You may not wish to share your gifts with a black nun once you know what I am."
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