Harrowhark the Ninth (
we_bring_hell) wrote2020-11-03 06:27 pm
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Post-Halloween
Harrow is working. Very seriously. She is not mooning over her new relationship with Gideon even a little bit; she has too much work to do.
She is, however, wearing a skull with accents of deep, almost black purple, with a starburst or floral pattern just below her temple, that she has never been seen to wear before.
Other than that sentimental embellishment, however, she is entirely focused on Obaeg's Toward a Common Haemographology. She is making copious notes in the margins--courting future simian fury--and thinking that she should have found this for Moiraine before they started working on her weave notation.
She is, however, wearing a skull with accents of deep, almost black purple, with a starburst or floral pattern just below her temple, that she has never been seen to wear before.
Other than that sentimental embellishment, however, she is entirely focused on Obaeg's Toward a Common Haemographology. She is making copious notes in the margins--courting future simian fury--and thinking that she should have found this for Moiraine before they started working on her weave notation.
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"I know they harbor the typical prejudices against necromancy of a living world. I simply wished to be aware of any other tricky topics." Was it also a discreet way to flag to Moiraine their relationship?
Maybe. You don't know. Shut up.
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"Okay, but you might need to help me out with when it's a bad time," she muses, swinging her feet and grinning the thrill of Harrow's hand on her thigh. "We might need a signal. Or you could just say: 'Gideon, I don't want you to kiss me for the next five minutes' and then I'll know I can kiss you in five minutes and ten seconds."
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She doesn't have a watch, but after a few weeks the four-hour death throes of the universe are burnt into her thanergetic sense. "Gideon, I don't want you to kiss me for the next f--"
"The next minute," she says, and picks up her book again.
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Gideon is already Unfairly Tall; the last thing she needs to do is climb up on a table.
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(She has swallowed more grease paint in the last few days...but she can't say it isn't worth it.)
"I thought you were reading," she says, a breath away and more than a little smug.
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"I thought I was, too."
She reaches the edge of Gideon's paint and trails her hand over the other girl's neck to the collar of her shirt, hooking her fingers there to hold her in place.
"You look delicious."
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(God, she is sprung on this chick.)
But it won't be today. Today, she grins like a fool and joys the flips her stomach decides to do. "So you're saying...I'm a snack?"
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"Does that sound like something I would say?"
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What more proof does she need than the Reverend Daughter having real trouble keeping her hands off her?
But she leans back and tries to forget about the guilty feeling nagging at her, the one that says you shouldn't be allowed to have fun when Canaan House is still under attack. She knows time has stopped there, but...it feels a little wrong, somehow, to be enjoying herself when just past that door Sextus, Camilla, Dulcinea...everyone who's left is in danger.
"By the way, I have a confession to make."
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She colors violently, so whatever she was going to say was dirty.
"What is your confession?"
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"I brought my two-hander to Canaan House," she says, simply. "I made a false bottom for my trunk and smuggled it right out of the Ninth. It's my baby, I couldn't leave it."
Which means Harrow's gift is much more sentimental than practical, but Gideon doesn't care: as Ingress said, now she has two swords, which is awesome.
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"It's a sword, it doesn't have feelings."
But she does. And man, does she love her sword.
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"You aren't going to bring it here, are you?"
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"I get the feeling that the next time we go through that door...we probably won't be back here until it's all over."
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Shr drums her fingers on the table. "Sextus wants us to pick the lock on one of the doors. The Sixth study. We'll have seven then."
They do not, technically, have the key to the Ninth, but if she couldn't reverse-engineer the theorem from the trial, she's no daughter of Anastasia.
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That door gives her the creeps, but it's probably because she'll forever associate it with the horrible sucking feeling of siphoning.
Her mouth twists. "And the Eighth aren't likely to share their keys."
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"I don't believe the Eighth's keys matter anymore. They have the white--we have seen it--the black--I don't need it--and the grey. That is the one Palamedes believes we can fake."
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Honestly, there are way too many keys, doors, and permutations of who has or knows what for Gideon to keep track of. It's a good thing Harrow is such an unbelievable detail-oriented nerd.
She kicks a foot back and forth, just to have some physical outlet for her anxieties. "I know time is stopped there," she admits, "but I keep worrying about them."
Them is understood, she knows, as being Palamedes, Camilla, and Dulcinea. She doesn't give a rat's ass about the Third or the Eighth, and the Second can more than take care of themselves.
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