Harrowhark the Ninth (
we_bring_hell) wrote2020-10-19 10:12 am
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You would need an advanced degree in Nonagesamics to realize that Harrowhark is ecstatically happy this morning, but even the layman can tell that her usual spikes are retracted somewhat. Not the spikes on her boots--Gideon liked these boots, and she has no intention of wearing anything else for a while. But the metaphorical spikes.
Aside from her boots she is back in her standard habit--black trousers, black long-sleeve shirt with the high collar. No gloves. Her hair is freshly cropped back to her scalp. Her face is painted with exceptional care, in what Harrow considers the sexiest pattern, because Harrowhark has opinions about things like that. This one is called The Chain and has considerable, immodest flourishes. She has edged the perimeter of the painted skull with midnight purples and deep blood reds, an even greater departure from propriety.
She is writing in her journal, and since she writes in code there is no way anyone can tell she has doodled One Flesh One End approximately one hundred times. She has been eating oatmeal, and by God she even ate the raisins.
Things are good. For now, for once, things are good.
Aside from her boots she is back in her standard habit--black trousers, black long-sleeve shirt with the high collar. No gloves. Her hair is freshly cropped back to her scalp. Her face is painted with exceptional care, in what Harrow considers the sexiest pattern, because Harrowhark has opinions about things like that. This one is called The Chain and has considerable, immodest flourishes. She has edged the perimeter of the painted skull with midnight purples and deep blood reds, an even greater departure from propriety.
She is writing in her journal, and since she writes in code there is no way anyone can tell she has doodled One Flesh One End approximately one hundred times. She has been eating oatmeal, and by God she even ate the raisins.
Things are good. For now, for once, things are good.
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She pauses at the base of the steps, studying Harrow and taking in every nuance of her appearance, and then glides across the floor to her table.
"Harrow," she says. "Light illumine. How are matters with you?"
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"I myself am not unwell. I am considering reestablishing my study here."
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"Gideon Nav has arrived at the bar," she says quietly. "I understand she made your acquaintance?"
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"I suspect she does not know quite what to make of me, at least not yet, but I was glad - if surprised - to meet her here."
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Even through the morning-after haze, guilt for the Fourth can still bite down hard.
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"When she first arrived," she repeats. "And now?"
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And is, despite all expectations, still alive. "We are sworn to one another. One flesh, one end."
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Moiraine is smiling, now.
"Light be praised. I am very happy for you both."
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"I was certain she would kill me," she confesses. "Had convinced myself of it. I had no plan for... forgiveness."
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"Matters in Canaan House still stand on a knife's edge. We must be prepared." But it's we, now.
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Try to look less giddy when you say that, Harrow.
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"I shall wait here for you," she says. "Bring her along, if you and she both wish."
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"She is still asleep," she says, with an indulgent rolling of her eyes. "But the last few days have been terrible for her. I have been here long enough to have recovered some of my equilibrium, but for her it was all only yesterday."
"Shall we?"
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She rises, graceful as always, and glides beside Harrow toward the lake door.
"If there is a particular area that you have spent time," she instructs, "then we might begin there."
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She does not say why, but to someone of Moiraine's perspicacity it's hardly necessary. It's salt water; and when they arrive, the sand is marked. Among the various marks are two sets of prints of bare feet, still quite fresh. One is notably larger than the other.
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"To open a portal, a gateway, to another location is known as Traveling," the Aes Sedai says. "Although there are some shortcuts that may be possible, I think it is important for you to have fully mastered the process before trying them."
"The first thing is that you must know the location where you are attempting to open the gateway. The feel of the land, the air around you, the landscape itself -- all the things that make it distinctive to you, so that you would be able to identify the particular place itself as different from another."
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"I will do so first, so that you may see how I do it. Do you think it would help you to see, if you were to link with me as you did before?"
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